A quarter of a century later, a book was published solely dedicated to the series that weaves sexism, racism, class, and cultural identity into the 20 photographs and 14 text panels that comprise the collection. Kitchen Table Series seeks to reposition and reimagine the possibility of women and the possibility of people of color, and has to do with, in the artist's words, "unrequited love. In 1990, Carrie Mae Weems exhibited The Kitchen Table Series, which has proven to be her most famous work. Weems herself is the protagonist of the series, though the woman she depicts is an archetype. The kitchen, one of the primary spaces of domesticity and the traditional domain of women, frames her story, revealing to us her relationships-with lovers, children, friends-and her own sense of self, in her varying projections of strength, vulnerability, aloofness, tenderness and solitude.As Weems describes it, this work of art depicts "the battle around the family. MUCH kitchen-table of Carrie group Mae Weemss featured photographic here, conjures work. The 20 photographs and 14 text panels that make up Kitchen Table Series tell a story of one woman's life, as conducted in the intimate setting of her kitchen. Unlike the experience of meandering through a museum, stepping back to appreciate the images and nearing the text panels to skim them, the pace of exploration is now in a person's hands." -Hilary Moss, New York TimesThis publication is dedicated solely to the early and canonical body of work by American artist Carrie Mae Weems (born 1953). "In book form, Kitchen Table is more intimate.
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